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National CineMedia, Inc. (NCMI): Business Model Canvas [Dec-2025 Updated] |
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National CineMedia, Inc. (NCMI) Bundle
You're analyzing National CineMedia, Inc. (NCMI) now that it's post-restructuring, trying to figure out if its pivot to data-driven cinema advertising is the real deal for late 2025. Honestly, the scale is undeniable: they command the largest U.S. network with 17,500 screens and, crucially, they hit Q2 2025 with $40.3 million in cash and zero debt, giving them breathing room. The core opportunity rests on their NCMx platform, turning that dark, distraction-free environment into hyper-localized, measurable media that competes with linear TV, especially since national advertisers already dropped $49.9 million in Q3 alone. Below, we map out their entire Business Model Canvas to see how these key resources and partnerships translate into the expected Q4 revenue guidance between $91.0 million and $98.0 million.
National CineMedia, Inc. (NCMI) - Canvas Business Model: Key Partnerships
National CineMedia (NCMI) anchors its business model on deep, long-term contractual relationships with the largest cinema operators in the United States.
The core of the platform relies on exclusive agreements with major exhibitors, which provide the scale necessary for national advertising buys. As of September 25, 2025, National CineMedia (NCMI) operates one of the largest cinema advertising networks in the United States, covering 17,696 screens across over 1,350 theaters in 184 designated market areas (DMAs), including all of the top 50 markets. The Noovie® Show is presented exclusively in 42 leading national and regional theater circuits, which includes the three national chains. On April 17, 2025, NCMI entered into a new long-term agreement with AMC Theatres ("AMC"), extending that partnership through 2042. This updated agreement aligns the payment structure more closely with performance metrics, specifically attendance, screen count, and advertising revenue. A comparable Network Affiliate Transaction Agreement is in place with Regal Cinemas (a subsidiary of Cineworld Group), stemming from a 2023 ten-year renewal.
Here is a snapshot of the scale provided by these core exhibitor relationships:
| Metric | Value as of Late 2025 |
| Total Screens in Network | 17,696 |
| Total Theaters in Network | Over 1,350 |
| Designated Market Areas (DMAs) Covered | 184 (including all top 50) |
| Theater Circuits Presenting Noovie® Show | 42 |
| AMC Partnership Extension End Date | 2042 |
National CineMedia (NCMI) has been actively expanding its digital reach through technology partnerships. The strategic partnership with Vistar Media, announced June 26, 2025, expands NCMI's premium, in-theater video advertising inventory to programmatic buyers through Vistar's supply-side platform (SSP). This move followed the introduction of programmatic and self-serve automated inventory buying to NCMI's offerings in 2024. In the first quarter of 2025, NCMI reported continued accelerated growth of its programmatic revenue, showing the value of these flexible buying options.
A significant move to capture niche, high-value audiences was the acquisition of Spotlight Cinema Networks, completed on November 17, 2025. This acquisition was made with a purchase multiple of 4.5x pro forma EBITDA, and the transaction is expected to be accretive to shareholders on a pro forma basis. The integration is expected to realize full run-rate synergies by 2026. This deal directly enhances the network by adding luxury and art-house screens, which is key for premium advertisers.
The acquisition brought specific, measurable benefits to the network:
- Increases NCMI's national market share by approximately 6%.
- Expands theater presence in New York and Los Angeles markets by 30%.
- Adds exhibitor partners including Landmark Theatres and Flix Brewhouse.
- Brings high-scale luxury screens to the platform.
For content and pre-feature entertainment, the exclusive Noovie® Show serves as the primary vehicle. NCMI's in-house creative studio, Noovie Studios, launched three new sponsorable content platforms as part of the 2024-25 upfront. Furthermore, NCMI partnered with TransUnion (NYSE: TRU) to integrate NCMI's theatrical exposure data into TransUnion's cross-platform attribution model, giving advertisers a data-driven view of cinema ad contribution alongside digital and CTV channels.
National CineMedia, Inc. (NCMI) - Canvas Business Model: Key Activities
You're looking at the core engine of National CineMedia, Inc. (NCMI) right now, the things they absolutely must nail to keep the lights on and, frankly, to grow. It's all about monetizing that captive audience in the dark theater.
Selling and managing national and local cinema advertising inventory.
This is the bread and butter, and the numbers from the third quarter of 2025 tell a clear story of where the strength is. National advertising revenue hit $49.9 million in Q3 2025, which was a solid 6.6% jump year-over-year. That's what's driving the top line, which finished Q3 at $63.4 million total revenue, up 2% over the prior year's third quarter. To be fair, the local and regional side is still catching up; that segment brought in only $9.6 million in Q3 2025, down from $11.4 million the year before. The key metric here is the national ad revenue per attendee, which reached $0.46 in Q3, marking the highest level in the last 5 years, showing pricing power is working. Still, you have to note the underlying audience number was down 11% year-over-year, with the network showing 109 million attendees in Q3 2025. Looking ahead, management guided Q4 2025 revenue between $91 million and $98 million. The entire platform is built on over 17,500 screens across more than 1,350 theaters in all of the top 50 Designated Market Areas.
Here's a quick look at the revenue segmentation for Q3 2025:
| Metric | Amount (Q3 2025) | Year-over-Year Change |
| Total Revenue | $63.4 million | Up 2% |
| National Advertising Revenue | $49.9 million | Up 6.6% |
| Local and Regional Advertising Revenue | $9.6 million | Down from $11.4 million (Q3 2024) |
| National Ad Revenue Per Attendee | $0.46 | Up 20% |
Developing and deploying the NCMx data and technology platform.
This is where National CineMedia, Inc. is trying to future-proof the business by making cinema measurable. They are pushing the NCMx suite, which now includes the latest AI-powered tool, Bullseye, joining Boomerang and Boost. The platform is designed to give brands a 360-degree view of consumer behavior using data from partners like Neustar and Catalina. The success of this digital push is visible in the programmatic segment; in Q2 2025, programmatic advertising volume grew by 50%. This focus on data-driven targeting is crucial, especially since the company is also working to modernize lobby video screens as part of its new long-term agreement with AMC Theatres, which runs through 2042.
Producing and distributing the proprietary Noovie® Show content.
The Noovie® Show is the vehicle for the pre-show advertising, and its reach is extensive. It's presented exclusively across 42 leading national and regional theater circuits. That content runs on the platform's more than 17,500 screens. Management noted that the strength of tentpole releases in Q3 2025 reaffirmed the platform's power to connect brands with deeply engaged audiences. Platinum revenue, which is a premium component of this inventory, grew 19% in Q3 2025, showing advertisers are paying up for premium placement.
Executing the aggressive sales plan with new sales talent.
The sales effectiveness is directly reflected in the pricing power we just discussed. The fact that national ad revenue per attendee hit a 5-year high in Q3 2025 shows the sales team is successfully driving better monetization from the available inventory. Beyond just selling, the company is focused on capital allocation, which is a key activity for management. For instance, they reinstated a quarterly dividend of $0.03 per share in Q3 2025, totaling about $2.8 million for that quarter. Furthermore, year-to-date through September 25, 2025, National CineMedia, Inc. repurchased 3.3 million shares for approximately $18.8 million at an average price of $5.78 per share. That's a clear action signaling management's view on value.
Maintaining and modernizing in-theater digital display infrastructure.
Keeping the physical network running and updated is a major operational task. The company is actively managing its cost structure alongside this modernization. Total operating expenses for Q3 2025 were $65.2 million, a reduction from $69.9 million in the same period last year. This cost discipline helped push Adjusted OIBDA (a non-GAAP measure) up to $10.2 million in Q3 2025 from $8.8 million the prior year. The infrastructure itself is massive, comprising over 1,350 theaters. The commitment to modernization is cemented by the agreement with AMC to collaborate on updating lobby video screens, which is a capital-intensive, ongoing activity.
- Platform Scale: Over 17,500 screens.
- Theaters Covered: Over 1,350 theaters.
- Q3 2025 Operating Expenses: Reduced to $65.2 million.
- Q1 2025 Operating Expenses: $58.8 million (a 2% year-over-year decline).
Finance: draft 13-week cash view by Friday.
National CineMedia, Inc. (NCMI) - Canvas Business Model: Key Resources
You're looking at the core assets National CineMedia, Inc. (NCMI) relies on to operate its business as of late 2025. These aren't just line items on a balance sheet; they are the engines of their market position.
The most visible resource is the sheer scale of their advertising footprint. National CineMedia, Inc. operates the largest cinema advertising platform in the U.S., which translates directly into audience reach. This network covers over 17,500 screens across more than 1,350 theaters, reaching all of the top 50 Designated Market Areas®.
This physical network is underpinned by crucial contractual relationships. A key resource is the long-term, exclusive access to the screens of the top three national circuits. Specifically, National CineMedia, Inc. secured a new five-year extension with AMC Theatres on April 17, 2025, pushing that partnership through 2042, which also secured exclusive rights to lobby advertising at AMC locations.
Here's a look at the scale of their audience access:
| Metric | Value | Date/Context |
| Total Screens Covered | More than 17,500 | As of Q1/Q2 2025 filings |
| Total Theaters Covered | Over 1,350 | As of Q1/Q2 2025 filings |
| Individuals Reached (Q2 2025) | Over 115 million | Q2 2025 |
| Reach Growth (YoY) | Up 24% | Q2 2025 vs. Q2 2024 |
The intellectual property and technology stack are becoming increasingly vital. The NCMx data platform is central to their value proposition, transforming moviegoing behavior into actionable marketing intelligence. This platform supports proprietary AI-powered ad products like Bullseye, which is designed for hyper-localization of ad campaigns.
The growth in programmatic buying showcases the utility of these data assets. In the first quarter of 2025, National CineMedia, Inc. saw continued accelerated growth of its programmatic revenue. Furthermore, in the second quarter of 2025, programmatic advertiser volume grew by more than 50% quarter-over-quarter.
The platform's capabilities include:
- Enabling advertisers to create localized, custom advertisements.
- Allowing capture of real-time behavioral data points.
- Facilitating audience activation in theaters.
- Supporting retargeting of audiences post-cinema visit.
Finally, the balance sheet provides a critical buffer and resource for strategic flexibility. As of Q2 2025, National CineMedia, Inc. reported cash and equivalents of $40.3 million, importantly, coupled with zero outstanding debt.
Finance: draft 13-week cash view by Friday.
National CineMedia, Inc. (NCMI) - Canvas Business Model: Value Propositions
You're looking at the core reasons advertisers choose National CineMedia, Inc. (NCMI) over other media buys right now. It boils down to attention, audience quality, and measurable results, especially as the media landscape gets more fragmented.
Unmatched audience engagement in a dark, distraction-free environment.
The environment itself is a primary value driver. You get an audience that is captive and focused. A study from late 2024 showed that 97% of viewers watched cinema ads, compared to only 38% watching TV ads. Furthermore, viewers spent 3 times longer watching cinema ads versus TV and CTV ads. Specific premium placements show this engagement translates to high recall; the Platinum Spot delivered an impressive 89% ad recall in a recent tech advertisers' campaign. The 4DX format also achieved approximately 85% ad recall in a recent automotive campaign.
Access to a sought-after young, diverse, and hard-to-reach moviegoing audience.
National CineMedia, Inc. connects brands to audiences that are harder to capture elsewhere. In the fourth quarter of 2024, Gen Z and millennials made up 69% of the viewership, with a median age of 30. This reach is concentrated in premium environments. For instance, the Q3 2025 quarterly audience reached 109 million people, even with an 11% year-over-year decline in attendance. The company is actively expanding this reach into higher-disposable-income segments by acquiring Spotlight Cinema Networks in November 2025, which focuses on luxury boutique theaters.
Full-funnel marketing solutions with measurable, performance-driven outcomes.
The pitch here is moving beyond simple brand awareness to provable performance. Nearly half of National CineMedia, Inc.'s ad revenue now comes from its NCMX intelligence platform. This platform delivered a 47% average lift in retail foot traffic for major retail clients in Q4 2024. For a cellular campaign, this data-driven approach resulted in more than 283,000 verified incremental store visits, which is a 110% lift. The integration with iSpot helped show campaign conversion rates that were 3x faster than linear TV. The partnership with TransUnion announced in December 2025 further embeds this data by integrating NCMx into their cross-platform attribution model.
Premium video advertising at scale, a strong alternative to linear TV.
National CineMedia, Inc. offers scale through its massive physical footprint. The cinema advertising platform consists of more than 17,500 screens across over 1,350 theaters in 184 Designated Market Areas®, covering all of the top 50 DMAs. This scale is translating into better monetization, especially in national advertising. The company reported Q3 2025 total revenue of $63.4 million. National advertising revenue for that quarter was $49.9 million, an increase of 6.6% year-over-year. National advertising revenue per attendee in Q3 2025 hit $0.46, marking a 20% year-over-year increase and the highest third-quarter national ad revenue per attendee in the last 5 years. Digital channels are also growing rapidly; Programmatic revenue in Q3 2025 was approximately 4x the prior year.
Here's a quick look at the recent financial scale and performance drivers:
| Metric | Period/Context | Amount/Value |
| Q4 2025 Revenue Guidance | Projected | $91 million to $98 million |
| Q3 2025 Total Revenue | Actual | $63.4 million |
| Q3 2025 National Ad Revenue | Actual | $49.9 million |
| Q3 2025 Local/Regional Ad Revenue | Actual | $9.6 million |
| Q3 2025 Net Income | Actual | $1.6 million |
| Total Screens in Network | Current Scale | More than 17,500 |
Hyper-localized ad targeting using AI, making cinema media buying defintely more precise.
National CineMedia, Inc. is integrating technology to refine targeting beyond just the movie genre. The company is investing in predictive AI models to make sales more efficient. This is being applied through products like Bullseye and Boost, which deliver concrete results. The November 2025 acquisition of Spotlight Cinema Networks specifically allows for blending luxury screen inventory into the NCMX data and Bullseye geotargeting products to create new addressable audience segments for Programmatic campaigns.
- Programmatic revenue grew 82% sequentially in Q3 2025.
- Self-serve platform revenue increased 23% quarter-over-quarter in Q3 2025.
- The company secured a new five-year extension with AMC Theatres through 2042.
National CineMedia, Inc. (NCMI) - Canvas Business Model: Customer Relationships
You're looking at how National CineMedia, Inc. (NCMI) manages its key client connections, which is critical given the reliance on advertising spend. The relationship strategy blends high-touch sales with scalable automation.
For major advertising agencies and brands, National CineMedia, Inc. (NCMI) deploys dedicated national sales teams. This direct approach is clearly driving results in the national segment, which brought in $49.9 million in revenue for the third quarter of 2025. Management is focused on this channel, noting investments in new sales talent to execute an aggressive sales plan.
For streamlined, automated buying, the self-serve and programmatic platforms are gaining serious traction. Programmatic advertiser volume grew by more than 50% quarter-over-quarter in the second quarter of 2025. By the third quarter of 2025, Programmatic revenue delivered approximately 4x compared to the prior year. The self-serve platform also saw its revenue climb by 23% quarter-over-quarter in Q3 2025.
Data-driven consulting through the NCMx suite is designed to prove out the media value. For instance, a recent tech advertisers campaign using the Platinum Spot, an NCMx component, achieved an impressive 89% ad recall. Furthermore, a cellular campaign utilizing the Bullseye product delivered more than 283,000 verified incremental store visits, which is a 110% lift. This is further supported by a new partnership integrating theatrical exposure data into TransUnion's cross platform attribution, which covers 98% of US adults.
The foundation of many of these relationships is cemented by long-term, high-value contracts. The agreement with AMC Theatres was extended and modified, prolonging the collaboration through February 13, 2042, effective July 1, 2025. This strategic move secures National CineMedia, Inc. (NCMI)'s exclusive rights to display third-party advertising in AMC theatre lobbies.
Here's a quick look at the performance metrics tied to these customer relationship channels as of the latest reported data:
| Relationship Channel | Key Metric | Value (Latest Reported Period) |
| Dedicated National Sales | National Advertising Revenue | $49.9 million (Q3 2025) |
| Programmatic/Self-Serve | Programmatic Revenue Growth (YoY) | Approximately 4x (Q3 2025 vs. prior year) |
| Programmatic/Self-Serve | Self-Serve Platform Revenue Growth (QoQ) | 23% (Q3 2025) |
| Data-Driven Consulting (NCMx) | Ad Recall (Platinum Spot Campaign) | 89% |
| Key Cinema Partner Contract | AMC Partnership End Date | February 13, 2042 |
You can see the focus on performance measurement is intense, especially with the new AMC payment structure tying funds to attendance, screen count, and advertising revenue.
The company is also actively working to enhance client relationships through strategic partnerships and technology investments.
- NCM's cinema advertising platform covers more than 17,500 screens in over 1,350 theaters.
- The platform reaches all of the top 50 Designated Market Areas® across 184 DMAs.
- The company declared a quarterly cash dividend of $0.03 per share in Q3 2025.
- Year to date through September 25, 2025, National CineMedia, Inc. (NCMI) had repurchased 3.3 million shares at an average price of $5.78 per share.
National CineMedia, Inc. (NCMI) - Canvas Business Model: Channels
You're looking at how National CineMedia, Inc. (NCMI) gets its advertising inventory-the premium video and out-of-home (OOH) space-in front of audiences. This is all about scale and access, which they deliver through a few distinct pipes.
In-Theater Screens for the Noovie® Show and Feature Advertising
The core channel is the big screen itself, where the Noovie® Show runs before the feature. This inventory is massive, anchored by the largest cinema advertising platform in the US. As of the third quarter of 2025 reporting, National CineMedia, Inc. operates a platform consisting of more than 17,500 screens across over 1,350 theaters. This reach covers 184 Designated Market Areas®, which includes all of the top 50 DMAs.
The Noovie® Show is presented exclusively across 42 leading national and regional theater circuits. This includes the only three national chains: AMC Entertainment Inc., Cinemark Holdings, Inc., and Regal Entertainment Group. Furthermore, the November 2025 acquisition of Spotlight Cinema Networks added high-scale luxury screens, increasing National CineMedia, Inc.'s national market share by approximately 6%.
The delivery mechanism for this content is also a key channel component. National CineMedia, Inc. completed a transition in early 2025 where the Digital Cinema Distribution Coalition (DCDC) fulfills the delivery of advertising content to the platform's theaters, covering over 18,000 screens. This ensures reliable delivery for next-gen, programmatic advertising across the entire network.
Lobby and Concession Area Digital Displays (Digital Out-of-Home)
Beyond the main screen, National CineMedia, Inc. uses its Lobby Entertainment Network. This channel involves strategically-placed digital displays within theater lobbies, selling advertising space for OOH impact. The five-year extension of the AMC Theatres contract through 2042 specifically includes plans to modernize lobby video screens. This is a distinct inventory stream from the pre-show content.
Programmatic Ad Exchanges via Partners like Vistar Media
You can't talk about modern channels without mentioning programmatic access. National CineMedia, Inc. made a strategic move in June 2025 by expanding its programmatic inventory through a new agreement with Vistar Media. This partnership makes National CineMedia, Inc.'s premium, in-theater video advertising available to programmatic buyers via Vistar's supply-side platform (SSP). This followed the introduction of programmatic and self-serve automated inventory buying in 2024. The result was continued accelerated growth of its programmatic revenue in the first quarter of 2025.
These programmatic channels are supported by National CineMedia, Inc.'s data-driven solutions, NCMx's Boost, Boomerang, and Bullseye, which help buyers with precision targeting and retargeting after the movie.
Direct Sales Force for National and Local Advertising Clients
The traditional, high-touch sales channel remains vital. National CineMedia, Inc. serves thousands of advertisers across national, regional, and local levels. The revenue breakdown for the first quarter of 2025 shows the split in this direct channel:
| Revenue Type (Q1 2025) | Amount |
| National advertising revenue | $27.4 million |
| Local and regional advertising revenue | $4.9 million |
To manage and optimize this direct sales flow, National CineMedia, Inc. partnered with Operative in June 2025 to enhance advertising operations, improve inventory forecasting, and optimize sales activities. The third quarter of 2025 saw total revenue reach $63.4 million.
Here's a quick look at the overall scale of the primary inventory channel as of late 2025:
- Total screens covered: More than 17,500.
- Total theaters covered: Over 1,350.
- Designated Market Areas (DMAs) covered: 184 (including all top 50).
- Theater circuits carrying the Noovie® Show: 42.
- Programmatic revenue growth: Accelerated in Q1 2025.
National CineMedia, Inc. (NCMI) - Canvas Business Model: Customer Segments
You're looking at the core groups National CineMedia, Inc. (NCMI) serves with its cinema advertising platform as of late 2025. The platform itself reaches over 17,500 screens across more than 1,350 theaters, covering all of the top 50 Designated Market Areas® in the U.S..
The customer segments are primarily defined by the scale and nature of their advertising spend, with a clear financial split evident in the Q3 2025 results.
National Advertisers are the largest component, driving significant top-line growth for National CineMedia, Inc. This group includes major players across sectors like automotive, retail, wireless, and government.
Here's a look at the revenue contribution from the two primary advertising groups for the third quarter of 2025:
| Segment | Q3 2025 Revenue (Millions USD) | Year-over-Year Change |
| National Advertising | 49.9 | +6.6% |
| Local and Regional Advertising | 9.6 | Decreased |
| Total Revenue (for context) | 63.4 | +1.6% |
Local and Regional Advertisers represent a smaller, though still important, revenue stream. This segment saw a contraction in Q3 2025, pulling in $9.6 million, down from $11.4 million in the prior year period.
Programmatic Buyers are a rapidly growing subset of the advertising base, attracted by technology investments. This group is increasingly using National CineMedia, Inc.'s digital inventory at scale. The company noted that programmatic revenue was approximately four times higher than the previous year, marking their strongest programmatic quarter ever.
The platform also caters to advertisers using its direct digital tools, which shows strong adoption:
- Self-serve platform revenue increased by 23% quarter-over-quarter.
- The company welcomed 14 new advertisers year-to-date who had not run cinema campaigns since before the pandemic.
- National advertising revenue per attendee reached its highest level in the last five years in Q3 2025.
The underlying value proposition for all these segments is access to specific audiences. National CineMedia, Inc. connects brands to engaged, young, and hard-to-reach audiences.
These target demographics are characterized by:
- Moviegoing audiences described as young and diverse.
- Audiences that are considered hard-to-reach through other media channels.
- Consumers targeted with high-impact, performance-driven advertising messaging.
Finance: draft 13-week cash view by Friday.
National CineMedia, Inc. (NCMI) - Canvas Business Model: Cost Structure
You're looking at the core expenses National CineMedia, Inc. (NCMI) manages to run its cinema advertising platform. Honestly, the cost structure is heavily weighted toward the theaters themselves, which makes sense since they are the venue.
The total operating expenses for the third quarter of 2025 were reported at $65.2 million, which was an improvement from $69.9 million in the same period last year. If you strip out non-cash items like depreciation and amortization, the adjusted operating expenses were approximately $53.2 million for Q3 2025.
The single largest operating cost category is the fees paid to the theater circuits. These are the Exhibitor access fees, which are directly tied to attendance and screen usage. In Q3 2025, these fees decreased year-over-year, directly reflecting the lower attendance levels experienced during the quarter. To give you a sense of the magnitude, looking at the structure from a prior period, the ESA theater access fees and revenue share component alone was $12.5 million for the quarter ended September 28, 2023.
Here's a look at a historical breakdown of major operating expense components to show where those exhibitor fees sit relative to other costs. Remember, the total Q3 2025 operating expense was $65.2 million.
| Expense Category (Historical Reference) | Amount (Quarter Ended Sept 28, 2023) |
| ESA theater access fees and revenue share | $12.5 million |
| Selling and marketing costs | $12.7 million |
| Administrative and other costs | $16.7 million |
| Advertising operating costs | $15.7 million |
National CineMedia, Inc. is actively investing in its technology layer, which includes the NCMx data platform. This is a key area for future cost commitment, as management highlighted strategic investments in technology and talent to enhance the platform. For instance, the launch of the AI-powered Bullseye product under the NCMx suite was a focus in early 2025, demonstrating the ongoing spend on tech stack improvements and digital extensions.
The company manages its overall spending through disciplined efforts. For example, SG&A expenses remained relatively flat in Q3 2025, as management strategically offset these with investment dollars elsewhere in the business.
Regarding Content production and distribution costs for the pre-show, while the pre-feature program is central to the offering, specific, current-period dollar amounts for these content costs were not explicitly broken out in the latest Q3 2025 disclosures. However, the overall cost structure is influenced by these agreements, as evidenced by historical data showing significant theater access fees tied to the program distribution.
- Adjusted operating expenses for Q3 2025: $53.2 million.
- Total operating expenses for Q3 2025: $65.2 million.
- Personnel-related expenses were slightly lower in Q3 2025 compared to the prior year period.
- The company is committed to strategic investment in technology and talent, including the NCMx suite.
Finance: draft 13-week cash view by Friday.
National CineMedia, Inc. (NCMI) - Canvas Business Model: Revenue Streams
You're looking at the core engine of National CineMedia, Inc. (NCMI) revenue generation, which is almost entirely dependent on advertising sales across its cinema network. The structure shows a clear hierarchy in where the dollars come from, though the growth story is clearly in the digital side of the house.
For the third quarter ended September 25, 2025, total revenue came in at $63.4 million, which was up 2% year-over-year. This top line is built from a few distinct buckets of advertising spend. Here's the quick math on the Q3 2025 breakdown:
| Revenue Component | Q3 2025 Amount | Year-over-Year Change (Q3) |
| National Advertising Revenue | $49.9 million | Up 6.6% |
| Local and Regional Advertising Revenue | $9.6 million | Down from $11.4 million (Q3 2024) |
| Total Advertising Revenue (Implied) | $59.5 million | N/A |
The performance in the third quarter shows National CineMedia, Inc. achieving its highest third quarter national advertising revenue per attendee in the last five years. Still, the local and regional segment saw a decrease in revenue compared to the prior year period. The company is clearly leaning on the national side for stability and growth.
The real momentum is coming from the digital transformation efforts, specifically programmatic sales. You need to watch this area closely as it signals future revenue quality. For the second quarter of 2025, programmatic advertiser volume grew by more than 50% quarter-over-quarter, with approximately 70% of those programmatic advertisers being new to National CineMedia, Inc. The self-serve platform also saw revenue up more than 30% year-over-year in Q2 2025.
Looking ahead, management is signaling strong seasonality and advertiser confidence heading into the final quarter. National CineMedia, Inc. provided guidance for the fourth quarter of 2025, projecting total revenue between $91.0 million and $98.0 million. This guidance range is supported by an extra week in the fiscal fourth quarter compared to the prior year.
Key revenue stream characteristics include:
- National advertising revenue, the primary driver, at $49.9 million in Q3 2025.
- Local and regional advertising revenue, totaling $9.6 million in Q3 2025.
- Programmatic advertising sales, a significant growth area (50% volume increase in Q2 2025).
- Expected Q4 2025 total revenue guidance between $91.0 million and $98.0 million.
Year-to-date through Q3 2025, total revenue for National CineMedia, Inc. was $150.0 million, compared to $154.5 million for the same nine-month period in 2024. Finance: draft 13-week cash view by Friday.
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